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In this post I want to talk about the poster for the new Clint Eastwood movie J. Edgar, which comes out   in theatres November 9th.

I chose this one because I found two different designs and I thought it would be an interesting contrast to see the different approaches.

The first one I want to discuss is this black and white version. The only text we have is about the director, the name of the movie (the powerful signature of J. Edgar Hoover), a tag line and the month the movie will be released. Is it enough? YES. We don’t know who the main actor is, but we know who’s directed it, which gives us an idea of the caliber of the movie. This is shown in a condensed sans serif font, unconspicuously enough not to take over the poster. It also gives us the powerful image that is the signature. It’s unique in its own way, since every signature is so by definition. Then there’s the tag line and the month. The tag line is overshadowed by the month -which is displayed in a larger size- but it stands on it’s own, giving the viewer the opportunity to draw his/her attention to it after seeing when the movie will come out. Both the tag line and the month are typed in a modern serif font, “serious” enough to gives us the impression that the movie is a drama.

Now, let’s compare it to this more commercial poster. I have actually seen this one displayed on the billboards, not the previous one.

This one tells us  more about the movie, for instance, who the main actor is (by title and image), the tag line is still there, the date is still one of the most prominent objects in the poster. We have all the information about the movie (production, directing, cast, etc…). The signature is still there, but in this poster it’s overshadowed by the powerful image of DiCaprio in his role as Hoover.

It’s still an effective poster, and it gives the viewers more information so that they can chose to view it based on the director, the actor or the subject.

Personally, I think the previous one has more of a shock factor, but I believe that one was more of a teaser poster and not meant for the widespread commercial distribution that this second one was designed for.

Overall, both tell a story, one by simplicity and a powerful signature, the other by imagery which showcases the character of the person whose name gives title to the film.

If you want to know more about this upcoming movie, read here.

Next time I’ll be discussing the new Batman – The Dark Knight Rises – poster.

Thank you for reading! :)

In this day and age, many movies come out in theatres every week. Competing with each other to attract as many viewers as possible. As a movie lover, what do I look for in a movie that will attract my attention? Well, for one, the cast. I believe I’m guilty of putting the story in second place at times, judging a movie by the actors it fosters. But, how do production companies attract attention? Well, this is where the movie poster comes in. THAT is the biggest piece of promotion (besides the trailer, of course) that movies use.

Today, I want to start with a movie that hit theatres this week. The particular poster I will be discussing from a graphic designer (and a movie goer)’s point of view is What’s Your Number?, with funny gal Anna Faris.

What's Your Number Poster

What first attracted my attention in this poster was the heart shape image created from the distorted typography. I love how the numbers are playfully placed and distorted, which tells us it’s a comedy. Blending the photo of Faris with the 2D graphic of the heart shape works very well, since the heart becomes her “chair”.

The clean and simple white background allows for the graphics and text to breath within the poster. There’s no clutter and the main idea is easy to grasp.

The title is cleanly centered underneath the main graphic, using a classy serif font, which is divided in two colours: black and pink. The clean and classy typography emphasizes the romantic nature of the movie (also made stronger by the pink), but the tight leading (pronounced “ledding” – aka, line spacing) makes sure that the title is not loosely spaced within the overall design and remains unified despite the two colours (notice how the question mark is black once again to “keep it together”).

Overall, the design is clean, the message is clear and there are no misconceptions about what the movie is about by looking at this poster.

Next time I will be discussing the poster for the movie J.Edgar by using two different designs to compare and contrast.

Thanks for reading!

This week I read “The Te of Piglet”, by Benjamin Hoff. I came across a part of the book that I thought was relevant to the design process.

“From the Japanese story ‘The Samurai and the Zen Master’:

A certain Samurai had a reputation for impatient and hot-tempered behavior. A Zen master, well known for his excellent cooking, decided that the warrior needed to be taught a lesson before he became any more dangerous. He invited the samurai to dinner.

The samurai arrived at the appointed time. The Zen master told him to make himself comfortable while he finished preparing the food. A long time passed. The samurai waited impatiently. After a while, he called out: “Zen Master —have you forgotten me?”

The Zen master came out of the kitchen. “I’m very sorry,” he said. “Dinner is taking longer to prepare than I had thought.” He went back to the kitchen.

A long time passed. The samurai sat, growing hungrier by the minute. At last he called out, a little softer this time: “Zen Master—please. When will dinner be served?”

The Zen master came out of the kitchen. “I’m sorry. There has been a further delay. It won’t be much longer.” He went back to the kitchen.

A long time passed. Finally, the samurai couldn’t endure the waiting any longer. He rose to his feet, chagrined and ravenously hungry. Just then, the Zen master entered the room with a tray of food. First he served miso shiru (soybean soup).

The samurai gratefully drank the soup, enchanted by its flavor. “Oh, Zen Master,” he exclaimed, “this is the finest miso shiru I have ever tasted! You truly deserve your reputation as an expert cook!”

“It’s nothing,” replied the Zen master, modestly. “Only miso shiru.”

The samurai set down his empty bowl. “Truly magical soup! What secret spices did you use to bring out the flavor?”

“Nothing special,” the Zen master replied.

“No, no—I insist. The soup is extraordinarily delicious!”

“Well, there’s one thing…”

“I knew it!” exclaimed the samurai, eagerly leaning forward. “There had to be something to make it taste so good! Tell me—what is it?”

The Zen master softly spoke: “It took time,” he said.

Although the moral of the story is patience and good things are worth waiting for, I thought, especially this last part, applied well to the design process.

In the design process, even though there are times that things need a quick turn-around or a project has a tight deadline, a good timeline would allow for the designer to come up with the best approach and, therefore, the best possible solution for the client.

I wanted to share that great story and make a small connection to design.

Thanks for reading!

 

When I started Ormiga Design over two years ago, I had just written my business plan to be approved by the Government of Canada (was doing a government program for new start-ups, and part of it was to write a solid business plan to follow) and I was ready to take on the world, starting with Toronto, of course. However, taking over the world is not as easy as one would think, especially when there are thousands of other people doing exactly the same thing I do with, let’s face it; with a different approach.

I also had this crazy notion that, to be an entrepreneur, a female entrepreneur at that, I had to be a different me. What do I mean by that? Well, let’s say we have different personalities in different circumstances. For instance, when faced with various challenges, we tend to utilize a part of our brain that doesn’t get used much otherwise. That part of the brain, has, in return, other parts that work best given certain outside conditions. Okay, I’m deviating a little and I’m even confusing myself. What I mean to say is that, with my background, my societal learned behavior and my own perception of the world, I had this idea that to be successful in business, I had to portray myself as a serious individual in business. I know now that that’s not so; thus having decided that I will show who I am in order to attract the clients I would like to work with. I have nothing to hide, and I do like who I am. I look around and I see so many successful individuals that don’t pretend to be someone they are not and seem happy at doing what they do by being themselves.

When I was a teenager, I found some drawings my mom had done in her closet. She was at the time taking drawing lessons to improve her technique. I told her I thought they were fantastic. Growing up, my mom had always painted, and most of the paintings I have hanging on my walls are ones she’s created, either with water colours or oil paint. I always thought she was good, but I had never seen realistic drawings from her. So, when I saw that stack of papers with the great contrast, the detail and the beautiful strokes that only a talented creative mind could produce, I told her I thought they were amazing. She seemed humble and insecure about it. She said to me that she had been drawing in her youth, but when she realized she couldn’t paint or draw like Picasso, she quit. She quit for a long time, but she decided to start again when she was an adult. It might sound silly, but I can see where she was coming from. Personally, I know I will never be a Paul Rand, Saul Bass or a Stefan Sagmeister, but I have learned to live with it (what choice do I have, right?). The important thing is that I really DO love graphic design. I really DO get excited when I see a good logo or disappointed when I see a crappy one. I love that there’s always something new to learn in design and, even if I’m not the best designer out there, I know I’m good and I know I can bring something good to the table. I think the important thing here is to stop comparing myself with other designers (especially those who are, well, geniuses in the field) and just be me and bring me, my brain and my unpolluted background that I’m so proud of to my designs.

Thank you for reading!

Happy Valentine’s Day!

I’m not one to celebrate the day, but I don’t see any reasons not to experiment with new designs using different approaches (ribbon is one that I’ve started enjoying lately).

To wish you all, whether you are single or have a better half, a Happy Valentine’s day. I especially do want to dedicate these designs to all single people out there who love themselves:)

So here are some designs I played around with:

Origami hearts (background paper is Neenah’s Texture Esse CVR 105lb, pearlized white).

A ribbon experiment with the same paper as above in the background. Not as easy as it seems to shape the ribbon.

Finally, a card created with watercolor postcard paper. A pattern created on Illustrator was printed on the card and then traced with red glitter. The hearts I did as Origami shapes and glued them to the card. I added glitter to unify it with the red glitter.

Have a great day and may all your days be as happy. Love should be an on-going thing, so keep it flourishing!

Here’s a little background history to Valentine’s Day.

Thanks for reading!

Relia Renovations Biz Card

A couple of weeks ago I started working on the business card designs and logo design for a local renovator. He needed new business cards to distribute to his new contacts.

When the design process began, I realized the logo was not right for his business, and we discussed designing a new one that would better work with his overall brand.

Following are the processes I approached for both designs.

 

 

Thanks for reading!

Hi there! & welcome back to the Slant!
This being the first newsletter of 2011 I thought I’d talk a little bit about planning ahead. Whether you need new business cards designed or stationary; or you are prepared, budget in hand, to redo the logo of your company or redesign your website, the first thing is, the more prepared you are when meeting with your designer, the better. In this issue we’ll see a few things you can do to make the process more fun and easier on both you and your designer.

Where to start

Another year has passed and the first thing that goes through your mind is, this year will be even better than the last! And, of course, positive thinking is the best way to start. Buuuuuut… then you realize all that needs to be done and how to do it? Well, if any of those things that need doing are related to design, read on. The best way to prepare for a new year is to be prepared. Take a look at what you did last year, what worked? What didn’t? Why or why not? If you know the answers to any of those questions, you’re off to a good start. If not, you might want to talk to your designer or marketing professional. Perhaps it’s time to sit down and communicate exactly what you need. Don’t be afraid to be candid, but professional. After all, you know better than anyone what your business’ goals are. Then find someone who will understand them and help you get there.

Don’t leave for tomorrow what you can do today

So, you’ve established what you did last year and how it all worked out for you. Now you decide to meet with your designer or marketing professional or you don’t have one and look for one. You set up a meeting. Wait, stop there! You need to sit down with yourself first and assess this year’s goals and where you want your business to be by the end of it. Don’t leave it for your designer or marketing professional to figure out what is on your mind. You have to be clear and communicate properly what it is that you need (rather than what you want – sometimes they can help you identify the latter so you don’t just get a whole lot you don’t need). Remember, the sooner you come up with a plan, the sooner you can sit down with your designer and s/he can start with a reasonable timeline. If you have any questions or you don’t have a graphic/web designer, you can email me and I’ll be happy to help you.

And then some…

Always be aware that designing is a process and, if you want good quality results, it’s advisable that you give your designer or marketing professional enough time to come up with great concepts that you’ll be happy with. In an ideal world, this would always be the case. However, last minute projects always do come up and that luxury is not always there. But this is not what we are covering in this issue. We are talking about planning and allowing reasonable time to leave room for the designer to do his/her job properly. If there’s also printing involved in your project, keep that in mind when you first meet with your designer. The printing process varies from printer to printer (more on printers in June’s issue). Remember, a good designer or marketing professional wants to help you reach your business goals, so find the right fit for you and work on reaching them.

Recommended Reading

The E-Myth Revisited
by Michael E. Gerber

In this book, Gerber talks about how to get your business to work for you. Through different chapters he makes you think on how to be successful by following some steps to understand your business and process better. It’s a great and fun read and very, very insightful.

You can also visit Gerber’s website @ e-myth.com to learn more.

 

 

 

If you want to continue reading the latest Ormiga Design news, tips and more, sign up to our newsletter today!

Natalia Pérez Wahlberg
Principal + Graphic Designer

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